
Read by Ray Dalio, George Lucas, Jack Carr and 1 others

Beneath one of cinema's defining sagas lies a mythic scaffolding, and the book recommendations of George Lucas trace it directly. The filmmaker behind Star Wars and Indiana Jones, and the founder of Industrial Light & Magic, Lucas has pointed to a small but telling shelf of titles across interviews, forewords, and book endorsements. This collection gathers five of them, weighted toward creativity and design, history, and fiction, with philosophy running underneath. At its center sits Joseph Campbell's The Hero with a Thousand Faces, the study of comparative mythology Lucas credits directly: "Once I got into that, I really began to understand how mythology works. It was very helpful to me in writing the film." The list ranges from Alan Dean Foster's Splinter of the Mind's Eye to Marc Ecko's Unlabel, a portrait of a builder shaping ambition into a life's work.
Last updated February 2026 · Every recommendation cited to its original source.
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Across five recommendations, George Lucas has highlighted Joseph Campbell's The Hero with a Thousand Faces, Marc Ecko's Unlabel: Selling You Without Selling Out, Alan Dean Foster's Splinter of the Mind's Eye, Star Wars Galaxy: The Original Topps Trading Card Series, and The Art of Star Wars: Episode III.
The Hero with a Thousand Faces by Joseph Campbell is his defining pick. Lucas has said that reading it was when he "really began to focus," adding it "was very helpful to me in writing the film" — a direct link between Campbell's mythology and the shape of Star Wars.
They are drawn from documented sources including his Bill Moyers' Journal conversation on mythology, a back-cover book endorsement he wrote for Marc Ecko's Unlabel, and forewords and introductions he contributed to Star Wars-related editions.
Yes. He is credited on four titles, including the Star Wars: A New Hope novelization and the Shadow trilogy — Shadow Moon, Shadow Dawn, and Shadow Star — the fantasy series developed from his Willow story.
His recommendations lean toward creativity and design and history, alongside fiction and threads of psychology and philosophy — a mix reflecting his lifelong interest in myth, storytelling, and the craft behind visual culture.